![]() IV. Examples of Enjambment in Poetry Example 1 Choosing to end-stop or enjamb can help better communicate a poem’s overall mood and theme through lineation (the way lines are broken in poems). Whereas end-stopped lines can feel relaxed, expected, and direct, enjambed lines can feel more chaotic, nervous, flowing, or fast. Enjambment also allows lines to move more quickly as the eye hops to the next line to follow the thought or meaning of the poem. Enjambment allows lines to move more complicatedly than they would if simply end-stopped. Without enjambment, poetry would sound like this:Ĭonstantly end-stopped (lines that end with punctuation) poetry is rhythmic but ultimately dull. This example is similar: the first and second lines are enjambed, whereas the third is end-stopped. In the poem, each line is enjambed until the period at the end of the third line. If written as a sentence (We were running to find what had happened beyond the hills) it is clear that this phrase has no punctuation until the end. Here are a few basic examples of enjambment in poetry: Example 1 Enjambment is derived from the French phrase enjambment meaning to “straddle something,” as the sentence extends to a next line. Whereas many poems end lines with the natural pause at the end of a phrase or with punctuation as end-stopped lines, enjambment ends a line in the middle of a phrase, allowing it to continue onto the next line as an enjambed line. Press, 1975 (especially chapter 5).Enjambment is continuing a line after the line breaks.
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